01/07/2014

Paris Fashion Week: Military Looks and Tank-Tops

The overtly romantic French capital was the last stop on our Men Fashion Week road trip. The oldest and possibly most established venue, Paris has shown a new, easier, vibe this year, without losing its authentic signature – a dashingly charming attitude.

The first sign of change could be seen at Raf Simons’ show, where men in cotton tanks – layered one on top of another – walked the brainy designer’s catwalk. There was no space for sporty, basket-alike sleeveless shirts. Instead, it was all about quality craftsmanship and impeccable garments, usually left for posh female clothing, matched with futuristic shoes and well tailored pants.

Dries Van Noten used a totally different approach, applying it to the same type of gaments. The Belgian designer took inspiration from elegant dancers and developed a collection full of feminine elements – together with tanks, a notable piece were the ballerina-shaped shoes. Kenzo, on the other hand, featured a series of pastel tones and maxi polka dots that gave the idea of an American tourist lost on the streets of Europe. But, in the end, the most unexpected runway was Dior Homme, with striped tanks styled on top of classic shirts rather than worn under elegant jackets, for a classy yet edgy feel.

On the other hand, air force and military world won the attention of many fashion designers, forming a second relevant trend. From Louis Vuitton’s man, a hybrid between Sixties-style bourgeoisie – with his turtlenecks and trench coats – and a daredevil aviator – with his decorated jumpsuits and typically rough belts – to Comme des Garçons, where Rei Kawakubo exploited military jackets and typical uniforms and subverted them to speak about peace. And last but not least, Givenchy fashion show sparked from that influence, too, with Riccardo Tisci going along his well established path, revisiting bomber jackets and utility pockets in line with army apparel codes.

Francesca Crippa 
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07/03/2013

The Spotlights of Paris for AW1314

The Spotlights of Paris for AW1314

La ville lumière strikes again, and for next winter seems to tell us that when everything seems to be already said and done, and you can’t go too forwarding, then, let’ s all go emotional, doesn’t matter if you have to do it in a minimal or in a chaotic and apparently messed way. Note to self: always stay masculine and wear dark tones.

What we have seen on the catwalks is a particular emotional side of clothes, which embraces you subtly, then gently whispers to your ear. These voices are embodied in the warmer and rounder clean lines of Celine, in the combination of the mesmerizing set and perfection of the clothes Raf Simons creates for Dior, or in the colorful “over layered” chaos of Vivienne Westwood, up until the theatrical and monastic vibes Ann Demeulemeester, Rick Owens, and his pupil Gareth Pugh have shown.

Minimal is a long time trend in more recent years, especially in these so called crisis days. More than ever, this season, there is no space for too frivolous or baroque volumes and details, at all. Damir Doma takes all off, leaving just the simple shape and just few important enlightened details; somehow similar to what Alexander Wang has done, his own way, in a B/W palette for his first collection at Balenciaga (very Cristobal indeed), keeping the traditional curved volumes of the house. The absolute certainty “less is more” has reached everyone, gets when an enfant terrible like Jean Paul Gaultier goes rather simple and serious with his dummy-like corsets and long chiffon skirts, or John Galliano’s former label flirts with discipline and a clean lines and volumes.

Chaos, a clash of moods and styles, is the key for the historical/ethnic pastiche of Madame Westwood, but also for the grunge meets 70s bohemian collection of Saint Laurent or the fil rouge at Junya Watanabe, where biker perfecto meets punkish tartan and tweed to become patchwork dresses. On the other side, at Givenchy, Riccardo Tisci is able to create a well balanced “Victorian meets gipsy meets flamenco meets punk and… Bambi prints”.

The trend of trends, this season, is being feminine on masculine wardrobe. If you have a quick look through, you’ll bump into several classic pinstripe fabrics, and you’ll see trousers winning over skirts 10-1. One collection says it all: Stella McCartney, after getting us used to a very feminine line, following the body curves, now, showing on the catwalk a strong pinstripe/tartan collection, deeply inspired by a savile row touch on classic men pieces with a sort of Japanese exaggerated sheltering volumes approach to them.


Last but not least: black is still up. We know it’s A/W, but for what we see on the catwalks, there is not much chance for bright plain colors: if designers are not going for dark tones, then it will be white or classics like tartan, brocade or floral prints and interesting surreal/playful patterns like the stylized eyes we have seen at Undercover, Givenchy and Kenzo. On the catwalks just few pale or acid pastels survives this “army” of B/W.

In the end, what counts more than trends, is that Paris sees a more-than-ever strong, subtly dressed, and self-confident woman coming for winter, even if she likes sneaking stuff by her man’s wardrobe.

Nicolò Parisi

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07/02/2013

The Pillars of FW

The Pillars of FW

For many they are an unparalleled economic opportunity, for others just a cliché replaceable with different marketing and communications tools. During those days the drivers whizzing running through the streets in search of the client’s most generous tip. Bars, restaurants and bistros flock to the same rate as the prices for their à la carte menus soar. On the scene, fashion weeks, the most discussed: Paris, Milan, London, New York and the newcomer Berlin.

Every nation is rooting for its own. Because, apart from the fun theater which is celebrated every hour in front of the entrance of the shows, this mechanism called Fashion Industry translates on paper in billions of dollars, thousands of jobs and a good amount of social implications.


This anxiety often ends up devaluing the real pregnant strength of each. It would be more conscious to take note of what every Fashion Week has good in its DNA. In London we celebrate the feast of Underground. The youth subcultures, the fresher, lively and less affected by the global logics, go up on the catwalk. In Milan it comes to expertise, craftsmanship, excellence of the hand-made, that hallmark all people show reverence; Made in Italy. In Paris slips off creativity. Everything you claim to be above, much closer to dreams and desire. In New York you decide the season’s trends, what you sell, what consumers want and what the market will give them. Cultural inspirations coming from North and miscellaneous agitations that include the british, street, punk and gothic style join together in Berlin, the fashion week that we have just learned to follow, that we foresee to be the next big thing. The deutsche city of contradictions has a little more than for a couple of years stood in front of World Fashion System face.

It’s almost impossible for one of the five face the game for all, because the beauty and the interest of press and buyers from all over the world lies in the diversity that characterizes each fashion week.

By the way, being sharp, you could do just a note to London and Milan Fashion Weeks, which often become a shapeless conglomeration of shows and presentations concentrated in a few days, to meet the wishes of foreign operators, who do not like being out of the country for too long. Well done instead for Paris and New York that, through a clever interplay of corporation, always manage to put big names at the beginning and in the end of the event, “compelling” gracefully professionals to stay in town for every day of the shows. This mechanism allows the city to take a breath, operators to see with no hurry everything that is proposed to them, and tourism organizators and servicers to have a large catchment area delayed with several days.

Strengths and weaknesses aside, we like to think that the reason that still drives hundreds and hundreds of people to move from one end of the planet to see “only” clothes, is not the mere and coveted money, but also other factors. Creativity, expression of oneself, research, delight for the eyes? Who knows. Perhaps, in times like these, people have a desperate desire to dream. Or rather, what they want is “the illusion of dream you can dream again”. So that’s okay.


Antonio Moscogiuri Dinoi

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05/10/2012

Global Fashion Show Trend Overview – Summer 13

Global Fashion Show Trend Overview – Summer 13

Here at The Blogazine, we’ve been following the SS13 runway shows from the fashion capitals; New York to London to Milan and rounding off in joli Paris. Each city is unique and creates its own buzz and attitude. We’ve been analyzing closely the key trends and have selected some of our favorites.

CUT OUTS

Cut outs are popular this season with designers creating slick laser cut geometric shapes, from rounded geometric shapes at Rue du Mail to harlequin diamonds at Balmain or more nature inspired leafy cut outs at Sass & Bide on leather and crisp cottons. Layered or simply worn against the skin, it seems to be the next move on in a more bold form of the lace hype.

RUFFLES

Ruffles came cascading down the runways in many shapes and forms. From romantic flounces in chiffon at Chloe and Dries Van Noten to more structured and sculptured voluminous shapes at Balenciaga which created a more dramatic “Flamenco” style.

FUTURISTIC

There was a definite shift towards a futuristic space-like trend for some designers. Incorporating metallic and high-tech fabrics in Star Trek-like silhouettes, colour-blocking taking on a 90s clubwear look from London and Tokyo at the time from Junya Watanabe. You could also spot alien like make-up, all of which created a back to the future zoom.

50 SHADES OF ORANGE
We mentioned orange being hot in our NY fashion week report. Across the globe orange has still been standing out as a key bright for next summer. From acidic orange to peach, pumpkin and rusty orange, all possible shades are creating a vibrant positive note to the season.

SWEATSHIRTS


The humble sweatshirt is still looking strong for next season. Designers interpret the item into sheer structured silhouettes at Stella McCartney to more Sloppy-Joe style at Ashish or embellished and decorated at Holly Fulton. This versatile item can be transformed into any look.

JAILBIRD STRIPES

Black and white jailbird stripes could not go un-noticed this season. It was a must-have amongst many hitlist designers. Translated into many forms from 60s mini dresses at Marc Jacobs, 80s paper-bag waisted trousers at Balmain, square boxy shape suits at Acne and Devastee to more feminine dresses and long flowing pleated skirts at Kors and Victor & Rolf.

SPORTSWEAR


Sportswear continues to be a big influence to many designers. Designers have created molded volume shapes using functional details like zippers and draw-strings and combining sporty fabrics such as airtex mesh and light weight performance nylons. In some cases a more luxurious attitude was mixed in using sequins in sporty shapes combined with sweatpants giving a 90s feel to the silhouettes.

80s ICONS AT JEAN PAUL GAULTIER

And last but not least, we couldn’t resist picking out Jean Paul Gaultier’s show, with this theatrical tribute to some very recognizable 80s music icons. We’ll leave you to guess who’s who!

Tamsin Cook

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02/07/2012

Men’s Fashion Week Paris

Men’s Fashion Week Paris

After a trip to London, and a few air miles to Milan, the Fashion world turned its ever-watchful eye to the Parisian runway.

Last week, London’s first own fashion week for men saw the light of day, and few were surprised by the edgy performances from upcoming artists presented. Afterwards Milan took the wheel during the midsummer’s celebration, before it was time for the giants of Paris to present their collections for the fall and winter.

Acne’s Johnny Johansson has previously expressed a wish to make clothes that simply flatter both sexes equally, without differentiating. Whether he succeeded to blur gender lines with this somewhat masculine denim collection is discussable, but the collection did provide a few memorable moments with its slouchy hats.

Rick Owens surprised no one when presenting yet another flawless collection, and a part of his successful concept seems to be that he translates archived women’s wear into menswear.

Lanvin’s collection almost took an ironic twist, when taking back Céline‘s tomboy silhouette and slick detailing to the men’s arena with leather tops, luxurious slacks and belts that created a stark contrast.

On the circus-side the designer Thom Browne held up his usual end of the bargain with multi-coloured square clothing and avant-garde silver face paint. By what seemed like major inspiration from St. Martin’s graduate’s collections, Browne managed to create the eccentric colour explosion every fashion week needs.

And finally we have Team Margiela that had experimented with materials as usual. Even if they couldn’t turn polyester into gold, they still managed to turn cotton into what looked like silvery leather. In a collection that at the first glance might appear plain, this fabric experimentation felt modern and relevant for contemporary men’s fashion.

Petsy von Köhler – Images via Style.com 

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