25/03/2015

Aubrey Beardsley – the Man, the Myth, the Legacy

The British illustrator Aubrey Beardsley inspired and elevated the dandy look by his own persona. Beardsley was a unique man who lived the life of a rock star before such a concept even existed.

Aubrey Beardsley was often sick as child, but found refuge in literature of all sorts, mainly medical anthologies and their drawings. He early became fascinated with grotesque imagery which would later be incorporated in his own work. As an adult, his classy wardrobe was toned down in true dandy spirit, as he dressed with awareness, though without being ostentatious. It was the beginning of marking the group you belonged to, or wanted to belong, through style. In 1893 the illustrator created an alliance with author Oscar Wilde, illustrating the author’s debated play Salome. The following year, Beardsley found an individual fame with the publication of The Yellow Book. Serving as art editor to the publication, he brought his illustrations to a larger public: the journal was an overnight sensation. Beardsley’s interest in drawing macabre images didn’t, however, leave him out of the fashion world. He had a lot of knowledge of the fashion of his time and found the female attire to be ludicrous. The women in his illustrations always wore far more comfortable dresses. One of his most famous works is that of the peacock skirt, all in black and white, of course.

Aubrey Beardsley was, for most of his short life, the “party central”, but by his mid-twenties he could fall asleep in a sentence. At the age of 25 he died of tuberculosis. His editor had promised to burn most of Beardsley’s work after his death, upon the artist’s own request. However, realizing their importance of his endeavor, the editor broke his promise. During the second half of the 1960s, the Victoria & Albert Museum showcased his illustrations, perfect for the trends of that era. His erotic influences were liked by many musical artists, such as the Beatles, inspiring their album cover of Revolver. Aubrey Beardsley is a testament to the power style can have to make a mark on the world, be it through a pen or through the threads one wears.

Victoria Edman 
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24/03/2015

Daily Tips: Mina Stone’s Cooking for Artists

Mina Stone has been cooking delicious lunches at Urs Fischer’s studio for the past five years and producing private gallery dinners in New York since 2006. Cooking for Artists, a recently published book of her amazing food, presents more than seventy of Stone’s family-style recipes inspired by her Greek heritage and her love of simple, fresh, seasonal food. With beautiful color photography, the book is designed by Urs Fischer and includes drawings by Hope Atherton, Darren Bader, Matthew Barney, Alex Eagleton, Urs Fischer, Cassandra MacLeod, Elizabeth Peyton, Rob Pruitt, Peter Regli, Josh Smith, Spencer Sweeney, and Philippos Theodorides — all members of the community of artists that delights in Stone’s cooking.

The Blogazine 
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17/03/2015

Daily Tips: Hearing and Seeing Björk at the MoMA

From March until June, the Museum of Modern Art puts on display an exhibition dedicated to the (most) famous Icelander – the composer, musician and singer Björk. The exhibition draws from more than 20 years of the artist’s daring and innovative projects and her eight full-length albums to chronicle her career through sound, film, visuals, instruments, objects, and costumes. Spread out throughout the museum’s building, the exhibition provides a visual as well as acoustic immersion into the work of this great artist. Starting from the lobby, instruments used on Biophilia (2011) — a gameleste, pipe organ, gravity harp, and Tesla coil — play songs from the album at different points throughout the day. On the second floor, two spaces have been constructed: one is dedicated to a new sound and video installation, commissioned by the Museum of Modern Art, for “Black Lake”, a song from Björk’s new album Vulnicura; and the second is a cinema room that screens a retrospective in music videos, from Debut (1993) to Biophilia. On the third floor, Songlines presents an interactive, location-based audio experience through Björk’s albums, with a biographical narrative that is both personal and poetic, written by the acclaimed Icelandic writer Sjón, along with many visuals, objects, and costumes for a complete and comprehensive outline of the musician’s career.

The Blogazine – Images courtesy of the MoMA 
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19/02/2015

Daily Tips: Collecting Obsessions

When last Spring Martino Gamper set up his vision of design as a ‘state of mind’ at the Serpentine Sackler Gallery, he invited a number of designer friends to exhibit their personal collections of objects. While the entire show focussed on design of bookshelves, they were examined in an unexpected way – as a sort of a metaphysical objects, a place where ideas, memories and recollections are collected together. A new show, now open at the Barbican in London, disregards the physical space where collections are stored – boxes, bookshelves, rooms, cellars – and focusses on the concept itself. Here, you have Damien Hirst’s skulls and tropical birds, Peter Blake’s enamel elephants and toys, Edmund de Waal’s Netsuke figurines, or Andy Warhol’s cookie jars. “Magnificent Obsessions: The Artist as Collector”, running through May 25th 2015, wishes to propose a new reading of artists’ work through, perhaps, one of the most revealing aspects of their everyday lives – their personal collecting compulsions.

The Blogazine 
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16/02/2015

Frederick Kiesler: Visions at Work

“Frederick Kiesler: Visions at Work Annotated by Céline Condorelli and Six Student Groups”, which opened on February 11th 2015 at Tensta konsthall, is the first exhibition in Sweden of Frederick Kiesler’s genuinely transdisciplinary work. Frederick Kiesler (1890–1965) was an architect, artist, scenographer, pedagogue, theorist and – not least – a groundbreaking exhibition designer. From the 1920′s constructivist-inspired theater exhibitions in Vienna and Paris and the early 1930′s acclaimed shop window presentations in New York City to the legendary scenography for Peggy Guggenheim’s Manhattan gallery Art of This Century (1942) and the collaboration with Marcel Duchamp, Kiesler paved the way for a dynamic view of the art experience.

Working with the monumental ‘The Shrine of the Book’ (1965) in Jerusalem, he extracted ideas and forms from his often reproduced ‘Endless House’, a visionary bio-morphic building where, to quote Kiesler himself, ‘all the ends meet’. Underlying much of Kiesler’s work were his thoughts on the continual interaction between man and his natural and technological environments, as defined in the theory of correalism. Although Kiesler was a member of de Stijl, a close friend and collaborator of Duchamp, André Breton, Alfred H. Barr and several other key figures in the art of the 1900′s, as well as an influential teacher at Columbia University in New York, he is something of an unknown.

The exhibition features models and documentations of Kiesler’s designs for exhibitions, buildings, interiors, shop-windows, etc. from various periods, while it also showcases prototypes, including those of his Mobile Home Library and the mass-produced so-called correalist furniture, among others. The focus will be on Kiesler’s interest in the intersection between art and life and how this manifests in his works.

Rujana Rebernjak – Images courtesy of Frederick Kiesler Foundation 
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12/02/2015

Daily Tips: The Gin Library

Have you ever wondered what were the evenings of jolly drinks and good friends like in Dickens’ era? How did that classic gin really taste those days? Well, the Charles Dickens Museum in London offers the fabulous opportunity to step back in time and behold the home Dickens once occupied as dusk settles on the city and dazzle our taste buds with expert gin tastings in the original Victorian kitchens. In fact, tucked away at n.48 Doughty Street, the museum’s original basement kitchens provide a unique setting for a truly Dickensian gin experience, with experts in artisan and small batch gin the London Gin Club offering the opportunity to taste a library of hand-picked gins they are passionate about. Maybe a past-fuelled hangover, might be a bit less tedious than your usual weekend sufferings.

The Blogazine 
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10/02/2015

Daily Tips: California Surfing and Climbing in the 50s

Too accustomed to fairly recent images of Californian surfers and skateboarders, it might come as a delightful surprise to see that adventurous subcultures have always shaped the landscape of the “Golden State”. A book released by Tom Adler, a publisher rooted in West Coast culture, titled “California Surfing and Climbing in the Fifties” uses text, paraphernalia, colour and black and white imagery gathered from a variety of photographers and private collections, in order to reconstruct the everyday life of the pioneers of surfing and climbing in 50s California. Reduced in size, yet rich in content, the book captures the spirit of a small group of individuals who have, ever since, shaped both activities, from the first ascent of Yosemite’s Half Dome northwest face to the first waves ever successfully ridden at Waimea Bay.

The Blogazine 
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03/02/2015

Daily Tips: PJ Harvey at Somerset House

Recording in Progress is a project conceived by PJ Harvey, in collaboration with Artangel and Somerset House, for the Inland Revenue’s former staff gymnasium and rifle range in the recently opened New Wing at Somerset House. Harvey has chosen to record her ninth album inside an architectural installation designed by Somerset House-based Something & Son. The structure, a recording studio in the form of an enclosed box, has one-way glazing, displaying PJ Harvey, her band, producers and engineers as a mutating, multi-dimensional sound sculpture. Visitors experience exactly what is happening at a particular moment in the studio, as Harvey and musicians, together with her longstanding producers Flood and John Parish, go through the creative process of recording an album of songs.

The Blogazine 
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03/02/2015

Roger Steffens’ Countercultural Compendium

The Family Acid is an exciting new book, published by SUN and presented at this year’s LA Art Book Fair, that collects an extensive series of photographs taken by Roger Steffens throughout his life. Steffens started making photographs while serving in the Psychological Operations division in Vietnam, a time in which he began a journalistic record of his surroundings marked by an increasingly psychedelic lens. Spanning 40 years of Steffens’ life and culled from over 40,000 chrome photographs, The Family Acid presents his often transcendent vision and life as a psychedelic pioneer on the order of Timothy Leary and Hunter S. Thompson beginning with his work in Vietnam and moving through his ever revolving circle of friends and characters made up of rastas, beatniks, musicians, artists, gonzo journalists, his family, and himself. The portraits, scenes, and freewheeling experimentation with the medium of photography coalesce into a body of work that both parallels and defines the countercultural ethos of Steffens’ generation.

The Blogazine – Images courtesy of SUN 
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29/01/2015

Daily Tips: Buy Some Books at LA Art Book Fair

Printed Matter, the historical institution based in New York dedicated to preserving and promoting the production of artists’ book, has moved to the West Coast for the third year in a row for LA Art Book Fair. Starting this evening with a special musical performances by No Age and Prince Rama, and running until the 1st of February at the Geffen Contemporary at MOCA, LA Art Book Fair is a unique event for artists’ books, art catalogs, monographs, periodicals, and zines presented by over 250 international presses, booksellers, antiquarians, artists, and independent publishers. If you are lucky enough to be in LA this weekend, don’t miss the chance to catch up with the latest gems in contemporary art publishing.

The Blogazine 
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