13/08/2012

Summer 2012: Nashville, Tennessee by Kristina Gill

Summer 2012: Nashville, Tennessee by Kristina Gill

The Parthenon is a 1:1 scale replica of the Greek monument. Located in Centennial Park, when it’s not too hot outside, a picnic on the lawn is in order. A bit further down in the park, you can find crafts fairs, food fairs, and Food Truck Thursdays.

Barista Parlor: A hipster coffee bar fitted out in an old garage. It has good (and very expensive) coffee and edibles.

City House is a restaurant with a wood-burning stove and an Italian-inspired menu, located in historic Germantown neighborhood of Nashville. The cocktails at the bar are good. Reservations a must.

Bobbies Dairy Dip sells gigantic soft serve ice cream, but also burgers, hotdogs, french fries. It’s a summer thing. When the weather’s cold, Bobbie’s is closed!

House of Hickory is a BBQ stand where you buy BBQ to take away. The owners have been on the competitive barbecue circuit for decades, and have won some prestigious titles. They teach classes. Like most BBQ places in Nashville, they’re closed on Sundays!

Kristina Gill

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13/08/2012

Summer 2012: The Check-Out

Summer 2012: The Check-Out

Depending where in the world you are, you have maybe already had your summer holidays, perhaps you are enjoying your break at this very moment, or like us, you are going to start the long awaited period now in August. The Blogazine is stepping out of office for two weeks starting from today, and reopening with a bang and some special new features again the 27th August.

However, we are not going to stop entertaining you even during this period, but introducing you the “Summer 2012” series realized especially for you for this extraordinary few-week break, by the members of our big 2DM family. From the backstage of 2DM group, our team members and friends will be presenting photos from the top-5 must-see places of their holiday.

So whether you are stuck in the office or opening your laptop in the hotel or on the beach, sit back and relax with the lovely lazy summer tales by our big family.

We wish you pleasant summer time!

The Blogazine, 2DM Management, Wonder Room and friends – Images Jolijn Snijders & Skye Parrott

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10/08/2012

Copenhagen FW Day 2: Scandinavian Promises

Copenhagen FW Day 2: Scandinavian Promises

Everyday wear to detailed pearl embroideries, joyful colour dashes to super simplicity – day number two at Copenhagen Fashion Week offered contrasts. Always within the format of the Scandinavian vision but where the ‘One-To-Watch’, Anne Sofie Madsen, was the one who invited to dance on the international floor, proving that the time spent working for John Galliano & Alexander McQueen was not a waste.


Noa Noa was neither a surprise, nor a disappointment. In Vision’s beautiful show venue they brought out fresh, simple and natural models dressed in what the brand does best – everyday wear. Having developed into a brand pleasing a chic, younger audience as well as a confident woman who knows her choices, Noa Noa’s S/S 2013 collection gave it all. Comfortable and loose fitted in a balanced mix between detailing, patterns and uncomplicated colours, topping off the look with masculine shoes. As expected, the contrast to next attending at Anne Sofie Madsen’s show was big. One year after being the opening act of Copenhagen Fashion Week, Madsen was back at the official show venue. If we yesterday were looking for someone to push the boundaries, this was the show, today. A faded poster of various deserted holiday paradises – melted ice creams, candy crystals – those are the designer’s own words about the collection.

“This collection has been a great challenge; we have worked with much more detailed and really small scale embroideries, and we have tried to change the look from previous seasons a little bit,” Madsen told The Blogazine when we met backstage few minutes after the show. When talking about the brand’s international presence, the designer mentioned the previous London shows, the upcoming show in Milan and also revealed that she will do a show in New York this year. “We’re really starting to spread around! I’m really happy about showing in Copenhagen and I think I will always do one show here, but it’s important for me to get out and around!”

Two other designers who wanted to spread out and try the ground on new markets were Petter Hollström and Gorjan Lauseger, behind the Stockholm based brand Odeur. Yesterday evening in Copenhagen they showed a collection in all simplicity. The Blogazine met both designers after the shows to get the story behind, and to pick their brains about the future. “When starting to work on this collection, we were in the discussion about what our inspiration always is, the stories, and worlds, we build up around a collection. We really felt a need of going back to the essence of what we like; which shapes and silhouettes, materials, and just really wanted it as simple as possible. There’s a reason why the collection is called Plain!”

About why after three shows at Stockholm Fashion Week they chose to come to Copenhagen they said, “It’s both time and fun to show for a new audience and try out a new market. It’s a part of growing and it’s a part of having a goal. Also, we worked with a lot of Danish people for this season so in one way it wasn’t a choice, it just came natural to come here.” The future for Odeur holds further expansion. “We are working on new projects and new products; shoes, leather accessories and complete silhouettes. We want to be able to show what the brand is breathing. Actually we are looking for locations for our first concept store which we hope to open within a near future!”

The colours and the variety in show came first from Peter Jensen and later in the evening, DAY Birger et Mikkelsen. Jensen showed preppy looks where the few black outfits got forgotten and lost fast among the joyful colours. DAY showed just as many outfits in complete variety that one could expect out of the Danish family company. Breaking down the regular runway, the brand had instead chosen a well rehearsed choreography for the show, creating a live show room of mannequins, bringing out look, after look, after look, giving the audience time and thoughts of the complete collection.

Lisa Olsson Hjerpe – Image courtesy of COPENHAGEN FASHION WEEK®

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09/08/2012

Copenhagen Fashion Week: Democratic Design

Copenhagen Fashion Week: Democratic Design

Scandinavian fashion has since long been on The Blogazine’s radar, and yesterday we went to Denmark for the inaugural of Copenhagen Fashion Week. Together with the three fairs, which will also take place during the week, the audience in Copenhagen can go from commercial looks to designers that are pushing the boundaries. Though, Scandinavian fashion might rather be known for being ‘democratic’ than avant-garde. During our first day of shows we saw adaptable collections of fine Scandinavian design and ended our day on a rooftop in the meatpacking district of Copenhagen.


The honours of doing the official opening show was given to Freya Dalsjö, the designer hailing from the Antwerp Royal Academy of Fine Arts and known for uniting fashion with art. The models were walking the runway to the rhythm of a heavy beat and in company of an army, a video projected to the backdrop. The powerful yet simple looks draw attention to military shapes in both sun visors and garments, and presented the attention to details in the cuts and concord of colours. From Freya Dalsjö’s Scandinavian commanding simplicity, to Stine Ladefoged‘s detailed and playful knits. The work between heavy and fine gauges was creating interesting silhouettes, shaping and volume.

From two fairly powerful shows to the most innocent one of the day; YDE. With the show being held outside in a beautiful courtyard and light, romantic and sensual yet glamorous, looks in colours going from soft yellow and green to strong pinks and lilac, the inspiration wasn’t to be mistaken. “I was very much inspired by flowers and wanted to create a sort of Garden of Eden,” the designer Ole Yde told the Blogazine after the show. YDE makes, beside the regular prêt-à-porter collections, also custom made pieces. “I have to emphasize that what we do is not haute couture, it’s something completely different. We create one of a kind pieces for special customers, but it can be anything from a day dress to evening wear, the important is that we make them feel good and comfortable.”


From the light and glamour, back to a dark collection at David Andersen. Both the men’s and women’s collections were carried out on the runway, and the similarities in the shapes in between were present. Tailcoat cuts, layers and material mixes presented in clean silhouettes where a little sequins, shimmer and sparks brought a pleasant life to the otherwise dark collection. The evening’s crowd pleaser came in Wackerhaus, who filled the house to the brim and presented an astonishing collection where the ‘wearability’ went from day to evening. Despite a long day behind us, we couldn’t miss the Henrik Vibskov show, which was a performance of its own, and where the graphic prints were carried out by models whose ebony skin colour brought an effective contrast to the vivid colours.

For the evening’s final stop, The Blogazine went to the meatpacking district and Soho House rooftop for Hubert‘s show with a live musical performance and models in slow motion. A collection where all the impressions of the day came together and confirmed the Scandinavian S/S 13.


Lisa Olsson Hjerpe – Image courtesy of COPENHAGEN FASHION WEEK®.

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08/08/2012

Running Shoes: From Running Lane to Runway

Running Shoes: From Running Lane to Runway

Rewind back to the late 80s and early 90s, NYC commuters rushing to work in glam power suits teamed with running shoes and socks over nylon tights. A practical and fast way to get to the office on time without any broken ankles or heels, only to slip into those high heels ready to strut the office corridors.

Fast forward to 2012, with the 2013 Spring/Summer collection shows just behind us, there is a renewed hype to the functional athletic shoe, with designers like Raf Simons, Valentino, Missoni and Salvatore Ferragamo sending male models down the catwalk in tailored suits and fresh preppy silhouettes favouring modern running shoes as footwear. Valentino goes for camouflage tones and blurred patterned trainers worn with tailored ankle cut pants, slick sportswear and utility inspired pieces. Salvatore Ferragamo’s clean crisp line in zesty fresh colours is a striking mix of modern men’s tailoring and retro details worn with matching running shoes in acidic brights with flashes of neon.


This trend is not restricted to men only, it clearly lends itself to women also, with many women of all ages opting for a comfortable statement, mixing fashion outfits or chic modern ensembles kicked off with a pair of New Balance or neon Nike running shoes.

Of course it’s not the first time sports shoes have been a trend outside of functionality. Take the 80s rap era when the Nike Air Force 1 basketball shoe and the Adidas Superstar became firm fixtures in urban street style.


So what does this say about the mix of sport and chic as a fashion statement? With technology developing ever lighter fabrications, some running shoes weigh less than 10 ounces / 250 grams. It goes without saying that the boost in running shoe sales for such brands as Nike and New Balance represent the continued trend towards the “casualization” of society and the acceptance of sport and chic in the office. It seems more than just a fashion statement but more like a mentality and attitude of today.


Tamsin Cook

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08/08/2012

Anna Piaggi – The Queen of Extraordinary

Anna Piaggi – The Queen of Extraordinary

The fashion world sheds tears over Anna Piaggi’s death. The 81-year-old fashion editor and universally recognized style icon has passed away at her home in Milan after a life filled with fame and success, leaving a great void in the worldwide fashion journalism. Contributor to numerous magazines, Anna Piaggi will be remembered especially for her “D.P. Doppie pagine di Anna Piaggi” (Double-page spreads by Anna Piaggi), the cult column on Vogue Italia, which reflected her unique and unmistakable personality.

A muse and a close friend of many important fashion players – such as Manolo Blahnik, Vivienne Westwood and Karl Lagerfeld, who depicted her in the amazing sketches in the book “Anna Chronique” – Ms Piaggi was first of all a nonconformist and an original person (when these words still had value). She was more than an exuberant and eclectic fashionista, and her way of putting pieces of clothing together reminded of artworks much more than outfits.

Maybe this is the reason why in 2006 the Victoria and Albert Museum in London exhibited her striking collection in a show entitled “Fashion-ology” including somewhere about 265 pairs of shoes, 932 hats and 2,865 dresses (just to give an idea).

We could spend thousands of words to honour this master of style, but we’d prefer remembering an image of Anna Piaggi with her expressive and theatrical make up, the curled blue hair hidden under Stephen Jones’ bizarre hats, and the vintage, multilayer clothing along with her animalier and flaming furs. Goodbye, the queen of extraordinary.

Monica Lombardi

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07/08/2012

The Future of the Olympics

The Future of the Olympics

While we are still being bewildered by the fantastic success different athletes are achieving in beautiful sites built for the London Olympics, some are already looking up to the future of the Games. Only in the last 12 years we have witnessed four incredible Olympic shows, held respectively in Sydney in 2000, Athens in 2004, Beijing 2008 and the currently in London. 
Only one of these was held in a ‘non-western’ country, both from the political as well as cultural point of views.


If Beijing inevitably pops in your mind, when you try to judge which one of the four has been the most spectacular, it should actually make you wonder. A new study by the Dutch architecture and urbanism studio XML shows that it didn’t happen by pure chance. XML has completed a comparative study titled “Olympic Cities” that analyses how and why various cities approach their candidature for hosting the Olympics. Trying to unveil what should be the perfect model for The Netherland’s candidature in 2028, this study has come to discover a whole lot more about the current economic, cultural and geographical model guiding the Olympics.


Even though we think it’s all about sports, unfortunately, it may actually be all about money. The current model underlining the Games since the 1972 Montreal’s near-bankruptcy situation, the economic model has been described through a paradigm of the mega-event. This mega-event model, as the authors state, will inevitably lead to the Games being held in “upcoming, non-democratic countries who simply have the centralised power and money to organise them”, since the public in democratic countries may feel uncomfortable with the privileges the organizers receive, and the amount of capital needed for the production.

In order to bring the Games back to the people, to a more down-to-earth model, where everything is more about sports and less about sponsors, XML has proposed three spatial models which should respond actively to the future economical and socio-political trends every Olympic Games are closely linked to.


Rujana Rebernjak – Images courtesy of XML

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06/08/2012

Summer’s End at St.Moritz Art Masters

Summer’s End at St.Moritz Art Masters

The Upper Engadin is an inimitable mix of sun, mountains, lakes and parks. A natural paradise with a landscape that leaves you breathless, where relaxing, doing sports, but also enjoying a cosmopolitan atmosphere is everyday pleasure. For five years now this beautiful region, besides the wonders of nature, proposes a festival devoted to art and culture named St. Moritz Art Masters (SAM). The initiative, conceived by the versatile Monty Shadow – photographer, international event-maker, marketing manager and creative advisor of many luxury brands – and curated by Reiner Opoku, offers 35 free exhibitions scattered around the region also thanks to its parterre of notable “partners in Art”: Bank Julius Baer, Cartier and Mercedes-Benz.


Museums, cultural institutions, well-known international galleries, traditional 5-star hotels as well as public squares will host the shows of 42 contemporary artists coming from all around the world. Special guest of this anniversary edition will be Brazilian art and culture; among the representatives, in addition to the writer Paulo Coelho, one for all, the great artist Vik Muniz.

The works of the Swiss duo Lutz & Guggisberg, Tom Sachs, Mimmo Rotella, Hamish Fulton, Bettina Rheims, Albert Watson and many more will be on view from 24th August to 2nd September along with a tight programme of collateral events. One event especially worth of mentioning is the photography workshop held by Steve McCurry and the Engadin Art Talks/E.A.T. led by – no less than – Hans Ulrich Obrist (co-director of the Serpentine Gallery London) and Beatrix Ruf (director of the Kunsthalle Zurich).


The synergic union between art and nature seems to be very fruitful, and here in the Upper Engadin it finds year by year new followers among international art players and lovers. But since it’s widely known that St. Moritz is synonymous throughout the world with chic, elegance and for the snobs, we want to introduce you another project, which – maybe without SAM’s glamour allure and with a more genuine concept – involves the words Art and Nature. Dolomiti Contemporanee, visual art lab on location is an experiment of sharing, founded almost one year ago by young and willing people who by exploiting the idea of artist residences aim at discovering places surrounded by marvelous natural landscapes, creating a network of cultural exchange.

We’ll get back to DC very soon. In the meantime we wish you a happy art summer because we know: from Manifesta to Kassel; from Kassel to Basel; from Basel to St. Moritz and from there to Dolomiti, art spinning tops never stop!

Monica Lombardi

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03/08/2012

Guest Interview n°42: Miista

Guest Interview n°42: Miista

Miista is an East-End London footwear brand that likes to break the rules, but always pays respect to the craftsmanship. Independent, charmingly irreverent and curious, the brand is mixing elegance with crazy in every thinkable mix of materials. The Blogazine had a chat with the founder Laura Villasenin and talked about madness, Galicia and social media.

Miista’s signature as a brand is ‘measured madness’. Do you have to be a bit mad to be in the fashion industry?
Well, I can’t speak for the industry as a whole, but you certainly have to be mad to start and maintain a shoe line! I mean, I’m living out my dream but it’s definitely a nonstop whirlwind of insanity day in and day out.

You experiment a lot with new techniques and unexpected design combinations. Do you like to surprise?
I think as a designer that is ultimately the goal. You always want to present something new, something unexpected. Derivative design is something foreign to Miista; we march to the beat of our own drum and while we spend a lot of time trending and combing the web, glossies and the streets for inspiration we try to not look too much at what other designers are doing.

You’re originally from Galicia but today you live and work in East-End London. How are you mixing the best of ‘your worlds’?
It’s interesting because these two places couldn’t be more different from one another. Galicia where I grew up is a very traditional place. The culture is strong, so naturally the fashion and really the overall social vibe are very classic and conservative – people do not really dress outside the box so to speak. What’s incredible is the local markets that are filled with handmade goods – old world artisans are creating things using techniques that have been passed throughout centuries! It’s incredible to see the craftsmanship and quality, two markedly important elements of Miista.

In London I immediately fell in love with the freedom of expression that permeates the city. East London in particular is an ‘anything goes’ kind of place and I found that to be so inspirational – there is experimentation going on everywhere; art on every wall, music from every window, and the fashion is out of this world. Exposure to all of this helped me to really tap into my own personal style. ‘Measured Madness’ as the cornerstone of our design can certainly be attributed to London’s influence, while the traditional production, quality and techniques are derived from my upbringing in Galicia. Miista is all about unexpected juxtapositioning, so really my natural view into London style through the lens of traditional Galician sensibilities is Measured Madness in and of itself! In that way I think my two worlds have combined quite nicely and I’ve really worked to showcase the best elements of each.

What part of the creative process is the most essential one, for you personally?
For me it’s always been about the initial research. I love the process of searching high and low for inspiration, and I always tend to look equally outside of fashion as within. For example, our upcoming SS13 collection is heavily influenced by biological structures, organic textures and outer space. The process of collecting all of these ideas and then editing them down to key themes and beautiful mood boards is just such a cool inspiration journey. And this time around I put together a massive board on Pinterest with all of my favourite inspiration images so it’s been really fun to be able to share that with our customers early on, and kind of give them hints at what to expect while still remaining utterly obtuse.

Talking about Pinterest, Miista have really embraced social media. Is it a PR tool you truly enjoy or a ‘necessary pain’?
We love social media and we’ve really just been having so much fun with it. We’ve always worked to remain highly interactive with our customers, and building that relationship with them through social media platforms is a fantastic way to create a legion of loyal, involved ladies. We are obsessed with the little community we have and it’s incredible to see how they relate to the collections. Basically, anyone who keeps up with us online really gets a sense of who the Miista team is and what we’re all about.

So it’s mostly just a lot of fun!
Don’t get me wrong – it’s a lot of work. There has to be a constant flow of content and a sincere rapport going on or no one will care. We make sure to keep things as interesting as possible by working new promotional angles – people want to be engaged! Also, our social media Miista, Chloe, is stationed out in NYC, so on top of having all of London to play with, having representation in both Europe and the US doubles our network of possible collaborators. It has really cemented our international brand status. American brands seem to have caught onto social media much more quickly than those across the pond, so we have a bit of a leg up on our local competition in that regard. Chloe is our secret American weapon!

A lot of what you showcase seems to be about a full styling experience and about creating a feeling for Miista, rather than only showcasing the shoes. What is the emotion you want to evoke in the recipient?
We definitely aim to breathe as much life as possible into our collections; we want them to go way beyond just another pair of shoes in your closet. Our Fall 2012 collection Electric Witches was deeply inspired by ‘90s rave culture, Boy George and elements of Victorian detailing, we’re moving back to our roots after SS12 where we dabbled in a more classic, feminine realm. Each of our four collections emanates a certain power, be it sly and wily or subdued and feminine, we live for strong statement shoes. Miista is all about strength and freedom and personality, so above all else we want our customer to feel a sense of irreverent cool.

Lisa Olsson Hjerpe – Image courtesy of Miista

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02/08/2012

Convitto – Combining Fashion, Food, Art and Design

Convitto – Combining Fashion, Food, Art and Design

In Massa, Tuscany, midway between the Tyrrhenian sea and the amazing Apuane Alps Park, the fashion director Andrea Tenerani – going back to his place of birth – founded a unique and unusual restaurant/shop named Convitto (from latin convictus, literally a place where people stay together). Inspired by the successful experiences of American Rag and Fred Segal, seen during his travels in Los Angeles, and thanks to the know-how of his niece, the talented sommelier Sabrina Mettadelli, Tenerani created an alternative venue where high quality food and fashion go arm in arm.


The restaurant, made from a restored 19th century building, mixes ancient and contemporary style with a very personal eye for details. The shots on the wall recall Tenerani’s first love – of course for fashion –, a gallery of images and emotions, which enriches a space full of personality, thought for sharing and meeting. Original vaulted ceiling and selected design furniture, chosen with a refined taste for retro and vintage from 30s and 50s, turn the location in an exclusive club where people can go shopping while tasting typical regional cuisine cooked by Maurizio Mosti, such as the delicious pastries and, above all, the inimitable pickled anchovies.

Can you figure out the pleasure of sitting close to your friends in a charming and intimate restaurant, which offers an original selection of garments wholly planned by Andrea Tenerani? Yes, because as he said: “I just sell what I wear and everything reflects my personal taste”, so in the resto-shop you can find Chambray shirts, Church Shangai, Aspesi jackets, Roy Roger’s jeans and even original aprons in denim made by the first Italian manufacturing company of blue jeans exclusively for Convitto. Fashion, food, art and design all together. From the lamps to the chairs to the diverse pieces of clothing, everything is on sale here, which means that everything is ever changeable and unpredictably different.

Watchwords: plainness, refinement, extreme quality!


Monica Lombardi – Illustration Karin Kellner

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